MACBETH

SYNOPSIS


History of humanity is the story of the violent struggle for power, concludes Shakespeare in which it is considered his latest work: "The storm", betrayal, attempts to usurpation, usurpation itself occupy each plot as a mechanism that was repeated to infinity.

Only a few years earlier, the English author immersed himself in the darkest aspects of the human soul to observe the story from an intimate, family -friendly tragedy that reaches the general interest: "Macbeth".

The Hero-Vilán, with a name that gives the title to the tragedy, and his wife, moved by an ambition without moral limits, get the throne of Scotland through the murder, unleashing a hell that they are not able to control. Macbeth is too ambitious for your awareness to prevent murder and has too much conscience to be happy as a killer.

Specifications, signs, prophecies, everything is worth it to scare your fear, however, you increase the more you have to lose. Everything is worth it to justify your journey into the dark where you believe in being able to end the uncertainty of dying someday.

Dreaming of the immortality Macbeth murders the truth and freedom, his and everyone's.

How is the world now, sir? Ask an anonymous character after the murder of King Duncan. Is that you don't see it? -Resar.

Despite the strangeness that today we have a work that gives an account of the evil in such a fond way, time has not happened.

Helena Pimenta, director of Macbeth

ARTIST SHEET

AUTHOR
William Shakespeare

ADDRESS
Helena Pimenta

Management Assistant
María Gallego

Attached to the address
José Tomé

VERSION
José Ramón Fernández

Translation into Galician
Nate Borrajo

Special collaboration
Ángeles Cuña Bóveda

LIST
Fernando Dacosta: Macbeth
Elena Seijo: Lady Macbeth
Tito Asorey: Ross
fine street: Witch 1, Malcolm
Suso Diaz: Duncan, Macduff, Asasino 1
Sabela Stuttering: Witch 2, nurse, lady macduff
Xosé A. Porto “Josito”: Banquo, old siward, messenger
Nate Borrajo: Bruxa 3, militia, son
David Varela: Asasino 2, doctor, XOVEN SIWARD

PREMIERE DATE AND PLACE: July 19, 2006. Ourense

AWARDS: 1 MARÍA CASARES

DATASHEET

Stage design and clothing: José Tomé
Lighting design: La Faust and people
Makeup Design: Carmela Montero
sound space: Íñigo Lacasa, Jorge Muñoz
Design Graph: 1:media

Strutures: CMG
Scenography: Sarabela Theater
Photograph: Mario G. Herradón, Alba Vázquez Carpentier
Video: Alba Vázquez Carpentier

Artistic Production: fine street
Economic produce: Elena Seijo
Distribution: fine street

Light and Son Technicians: Rubén Dobaño, J. Manuel Bayón

TECHNICAL CONDITIONS
Scenery:
9 m. ancho
7.5 m. background
5,5 m. alto

Electrical power: Three -phase to Pé from stage.
5 0.000 W.

Transport da Compañía: 6720 DDR truck

DISCHARGES

Sarabela S.L. it has funding from the European Union – NextGenerationEU, within the framework of subsidies for cultural acceleration in the field of performing arts from the Xunta de Galicia.