CINCENTA WHO DID NOT WANT TO EAT PARTIDGE

This tale could begin by saying: "Once upon a time there was a girl who was not alone and some partridges that flew happily", but no. We start from the story written by Nunila López Salmero to dismantle the false myths surrounding romantic love, to talk about so many stories of princesses freed by princes azure who, in too many cases, come out empty-handed. "The cincinta who didn't want to eat partridges" is a modern tale that humorously reviews the role played by women for a long time. It is an argument that defends the freedom to be who one wants to be and how one wants to be.

The story knocks on the door of all ages because they are all a mirror of the time in which they were written and because they speak of a series of archetypes and themes that have been running through popular literature and our imagination for a long time. That's why the re-readings that have been taking place for years are important, because they are an invitation to rediscover the way in which subjects such as curiosity or female independence are treated, but also that strange obsession with damaging women's feet in different stories .

Based on the tale of Nunila López Salamero

Dramaturgy and direction: fine street

List: Elena Seijo, Fernando Dacosta e Sabela Stuttering

Set design: “Less than 7 meters”

Costume Design: Sarabela Theater – Tegra V. Carpentier

Image and audiovisual supports: White Iris

Lighting Design: Baltasar Patiño

Choreography: Ruth Balbis

Sound Space: Renata Codda Fons

Photographs: Rubén Vilanova

Graphic design and communication in RRSS: Redeiras.net

Video: Ohh!-VIDEO

Artistic and economic production: Fina Calleja – Carlos Dominguez

Technicians on scene: Jose Manuel Bayon e Ruben Dobaño

PROGRAM / CARTEL / DIPTIC / VIDEO PROMO 1 / VIDEO PROMO 2 / PHOTOS